Send in the Obama Clowns
By Daniel Greenfield
SultanKnish.Blogspot.com
On Saturday night in Sedalia, a Missouri city
with a population that would fit into Arrowhead
Stadium four times over, the entire nation was
shaken when a rodeo clown wearing an Obama mask
performed his usual routine and became the enemy of
the state. Toward the end of Obama’s first term a
tornado had torn through Sedalia blowing off roofs
and destroying a school bus barn, but that was
nothing compared to this.
The governor of Missouri stated that the
performance, which involved Obama being chased by a
bull, did not “reflect the values of Missourians”.
He did not clarify whether the other times that a
rodeo clown was chased around by a bull did reflect
those values.
The lieutenant governor “implored” the governor to
“hold the people responsible for the other night
accountable”. The best way to do that may be with a
Un-Missourian Activities Committee. Senator McCarthy
may have subpoenaed actors, but UMAC’s Obama clowns
can subpoena rodeo clowns.
Senator McCaskill called it “shameful.” Congressman
William Clay called it, "an ugly face of
intolerance". It was unclear whether he was
referring to the clown, the man whose face he was
wearing or a country where intolerant mockery of
intolerable politicians was no longer tolerated.
The Missouri State Fair apologized and banned the
unnamed rodeo clown for life and announced that they
are reviewing their contract with the Missouri Rodeo
Cowboys Association. Their next contract will
hopefully have an ironclad “No Mocking Obama” clause
in place to prevent another tragedy from taking
place.
The announcer has resigned as president of the
Cowboys Association, even though he had yet to be
caught smuggling assault rifles to Mexican drug
dealers or lying about a terrorist attack on an
American diplomatic facility, and may also be forced
to resign as Superintendent of the Boonville School
District.
The vicious monster claimed that it wasn’t his voice
on the tape saying "he's gonna getcha, getcha!" but
did concede that he said, "Watch out for that bull,
Obama." Several news organizations are currently
analyzing the tape, as if it came from a gentleman
named Zapruder, to determine the voice behind the
rodeo thoughtcrime.
The Kansas City Star described the bull run as
“borderline illegal”. “The U.S. Secret Service takes
threats against the president seriously,” its
editorial said. “While the president himself was in
no danger here, it’s the kind of stupid activity
that could give nuts ideas about harming the
president.”
It’s comforting to learn that Obama experienced no
personal danger from the rodeo clown. Even the most
creative Hollywood villain would find his
imagination stressed to the limit trying to recreate
the Missouri State Fair as an assassination plot.
But the Star’s Yael T. Abouhalkah is right to remain
vigilant against the threat of someone smuggling an
angry bull on board Air Force One during its next
jaunt to Martha’s Vineyard or hurling a furious Red
Angus from a catapult into the White House. In a
world where Socialist is a racial slur, why can’t
bull be an assassination plot?
The NAACP's Missouri chapter was not so easily
blinded to the bull threat calling on the Department
of Justice to open an investigation into the rodeo
clown for inciting violence.
Eternal vigilance is the price of liberty. And
sometimes liberty is the price of eternal vigilance
against subversive rodeo clowns.
A clown, perhaps the same one, or another of the
Spartacean clowns crowding the arena, was heard to
say, "I know I'm a clown, he just run around acting
like one and doesn't know he is one."
The unknown rodeo clown, like so many court jesters
throughout the ages, was expressing the very
subversive sentiment that the only difference
between the clown and the crown is that the former
knows what he is and the latter doesn’t.
In Shakespeare’s Twelfth Night, Olivia tells her
steward, “Oh, you are sick of self-love, Malvolio,
and taste with a distempered appetite. To be
generous, guiltless, and of free disposition is to
take those things for bird-bolts that you deem
cannon-bullets. There is no slander in an allowed
fool, though he do nothing but rail.”
Like Malvolio, Obama and his supporters are anything
but generous and guiltless. And so they take every
bird-bolt as a cannonade. A rodeo clown quickly
becomes a national crisis. The pettiest insult to a
petty ego must be avenged, punished and transformed
into a teachable moment.
There are no “all-licensed fools” allowed anymore,
not even at a state fair, a place that no one could
imagine Obama paying a visit to (barring an election
or an exploitable school shooting) because fools
like Obama and Malvolio who do not know that they
are fools do not tolerate fools gladly.
A strong ruler kept all-licensed fools who would
tell him what he did not wish to hear, but a weak
ruler would only keep allowed fools who would mock
his rivals and his enemies, but never him.
If you want to see allowed fools capering on stage,
tune in to Saturday Night Live where grotesque
depictions of Obama’s enemies are the norm, but
where, until recently, Obama was played in
uncomfortable blackface by Fred Armisen, a white
liberal, as a man who is just too good to be mocked.
Fred Armisen's uncomfortable blackface impression
of Obama as a man who is too wary to actually say
anything or react in any way. Armisen's take on
Obama was probably the worst of the show's
presidential impersonations since Chevy Chase played
Gerald Ford as a man who fell down a lot, but it
perfectly captured the liberal discomfort with
mocking the One.
Liberal comedians felt much safer mocking their idea
of Obama, rather than the man. Like Soviet comics,
given a chance to crack a joke about the man at the
top, they backpedaled at the last minute to make the
joke about their own ridiculousness. And nothing is
quite as ridiculous as a comedian who is unable to
tell a joke.
Eventually the joke became the absence of jokes. A
void. In a comedy circuit where there were no more
taboos, where humor existed for shock value and each
act tried to top the other, the O zone was the place
where hardly anyone would go.
Jay Leno who had already been excommunicated for
defying the verdict of cool culture that it was time
for him to make way for Conan so that the rest of
the country could finally get around to enjoying the
awkward self-deprecating humor that was the gold
standard in comedy, fished around for laughs in the
places where hardly anyone would go.
Where the titans of comedy, the clumsy middle aged
men waddling up to the microphone to disgorge their
heavily rehearsed stories of bad dates and creepy
uncles, their younger counterparts in wire-rimmed
glasses playing guitars, did not venture to tread, a
lone rodeo clown dived in and got the laughs they
weren't willing to. Call him the Jay Leno of the
rodeo circuit, like Leno, his act was unoriginal and
his timing was poor, but everyone enjoyed the
novelty.
In an industry where telling the first 9/11 joke was
a badge of honor, low level scabs who took the jokes
that truly couldn't be told had to be punished.
Previous enemies of comedy had included fairway
operators who hung photos of Obama at the Jersey
Shore and a Greenwich Village bakery that was driven
out of business for making offensive cookies.
There's plenty of room for jokes about rape and the
Holocaust, you can even toss in a few of the right
racial slurs in your act, as long as you're doing it
in good ironic fun, but you can't touch Obama. The
calculated outrageousness conceals an inner
repression. Behind all the shock value comedy are
tame liberals who entertain their audiences with
things that those liberal yuppies think will offend
Middle America, but that they pride themselves on
not being offended by. The truly offensive is out.
What can’t be seen on the stage of Saturday Night
Live must go underground to the Missouri State Fair.
In every totalitarian country, the jokes that can’t
be told are told anyway in secret places, between
friends and to rural and working class audiences.
The Soviet anecdote was born out of such
restrictions.
“Premier Andropov,” one anecdote went, “I heard you
collect political anecdotes. How many do you have so
far?”
“A whole Gulag,” was the answer. An eagle-eyed Daily
Kossack with a camera has added one rodeo clown and
one cowboy president to the Obama gulag.
Unlike community organizers, cowboy presidents
however are capable of bearing the stings and arrows
of rodeo clowns.
Twenty years and a whole other nation ago, a rodeo
clown at the Missouri State Fair not only wore a
George H.W. Bush mask, but even swapped out a dummy
in the same mask that the bull tore apart on the
spot.
The nation did not shudder, the politicians did not
call for the clown’s head and there was no secret
service investigation of a possible
assassination-by-bull plot by a gang of rogue rodeo
clowns.
But that was America; a strange and different
country. It was not perfect, but rodeo clowns,
comedians and your neighbor Bob felt free to mock
the President of the United States without worrying
that the heavy hand of manufactured outrage would
descend on their necks.
The new OSSR, that marvelously enlightened empire of
wealth redistribution from the working
middle class to the
government upper class, that beacon of green energy,
transgender rights and drive-through abortions, is
far too fragile to survive the sort of mockery that
the reactionary running dog leaders of the old US
were accustomed to.
The mockability of the presidency reminded everyone
that the country was more than the man at the
top. Like the regularly scheduled elections, it told
us that we had a place in the system. The system
might treat us like interchangeable parts, but it
was democratic for all that because it treated the
men at the top in the same way.
It is hard to describe that America to a younger
generation that has never lived in it and has never
known anything other than the liberal morality mobs
of the Obama age eager to pounce on some offense of
heteronormative white privilege committed against
liberal conformity.
Maybe the best way to describe life in the US,
before the dawn of the OSSR, is with another Soviet
anecdote.
A Moscow cop sees a man poking a hole in the tire of
the American ambassador’s car. The vandal puts his
mouth on the hole and begins sucking in the escaping
air.
“What are you doing?” the cop demands.
Sheepishly the man tells him, “I wanted to breathe
the air of freedom.”
Now that even those of us in Sedalia, Missouri are
choking on foul Moscow smogs , I wonder whose tires
we’ll have to poke through to breathe the air of
freedom.